THE ART WORK MUST RESPOND TO SITE OR COMMUNITY
THE ART WORK MUST INVOLVE OR ENGAGE OTHERS
THE ART WORK MUST EMPLOY A STRATEGY OF DÉCOR
Julia Vogl’s social sculpture incorporate public engagement, architectural interventions and colour. She is resolved to create experiences and memories for the viewer, prompting discourse, while creating aesthetically rich works.
Inspired by political events, social behavior, and the community where the work is sited she aims to create works that reveal underlying cultural values. American and British her public works have been on both sides of the Atlantic. She is not afraid to be ambitious, with a record of scaling buildings including the 40 front windows of Mudd Library in Ohio, the School of Slavonic and East European Studies 5 storey glass atrium, in June 2015 6, 000 square feet of a park in coloured graphics at Tysons Virginia, she has a record of involving thousands of people. Vogl defines many of here works as Social Sculpture, which is a contemporary take on the definition that Joseph Beuys coined 50 years ago. Vogl’s approach invites the public to take action, not necessarily a creative one, and the individual actions gradually build a collective work or data set that contributes to a visual product and catalyst for socializing. Influenced by the aesthetic of Russian Constructivists, the De Stijl and the Minimalists- colour/ pattern is an essential ingredient to her art. This passion for colour and architecture has also contributed to an adjacent body of work- abstract drawings and prints. Theses drawings have been incorporated as textiles and installations- as seen in the work HIGHWAY of HISTORY (at former Charlottenberg Womens Prison in Berlin, 2012). This dual practice is inspired by Christo and Jeanne Claude, Francis Alys and Sonia Delaunay.
Vogl has previously worked in public art as an administrator, and is keen to make short term and permanent public works.
‘What I like about Julia’s work is its spirit of joyful enquiry. She seems genuinely fascinated by what makes us social creatures. There are very few artists who have a clear commitment to public art and who do it well – it’s a rare skill, to which the sheer number of twee, tedious or downright god-awful public works attests. More of this please.’
Nancy Durrant, Arts Commissioning Editor, The Times
Slade School of Art, University College London, MFA in Sculpture
September 2009- June 2011
Oberlin College, Ohio USA: B.A. Studio Art with Honors, & Politics
September 2003-May 2007
Studio Art Center International, Florence, Italy
Washington International School, Washington DC
Graduated in 2003
International Baccalaureate Bilingual Diploma – French/English
The Artists Bond, member since 2013
Royal British Sculpture Society, member since 2017